Rock progressivo italiano: 22 albums, and most of these bands only got one
Italy's prog boom lasted about five years, produced a staggering number of records, and left a scene full of one-album bands.
22 entries
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Ranked by how long the silence lasted, from Linda Perhacs' forty-four years down to Portishead's eleven.
19 entries
Italy's prog boom lasted about five years, produced a staggering number of records, and left a scene full of one-album bands.
22 entries
Wendy Carlos in a Manhattan apartment, Springsteen in a bedroom, Jane Remover recording guitar one string at a time. Records where a single player covered every part.
22 entries
Sixty-five years of dance music from both banks of the river, told through the bands that kept splitting up.
23 entries
No do-overs, no comps across weeks. These records got made in one sitting, and the clock is part of why they sound the way they do.
14 entries
Punk and post-punk pressed by the state's own record labels, 1975 to 1986.
21 entries
Every artist gets reduced to one album. Here are eighteen times the vote went to the wrong one.
18 entries
A 2005 web comedy invented the term as a punchline. It ended up describing the most precisely built pop music Los Angeles ever made.
23 entries
Roland built around 12,000 of them between 1980 and 1983, sold them badly, and stopped. Everything after that happened secondhand.
19 entries
Solo projects, fantasy pseudonyms, cassette runs of fifty. A route through the underground that never came above ground.
19 entries
Drone, hard rock, pop, hardcore. Tokyo's least predictable trio, put in an order you can actually follow.
19 entries
Eighteen records across sixty years: Amazonian fuzz, the Andean chicha the reissue labels skip, and the bands playing those guitar lines now.
18 entries
The record where a band stops auditioning and starts writing, from Ride the Lightning to Ants From Up There.
24 entries
Fifty years later, punk's first draft, studio-soul maximalism and two very different ideas of the future still belong in the same argument.
17 entries
Snow music without the fireplace cliches: ambient, slowcore, black metal and one frozen New York rap record.
17 entries
Two labels, one small state capital, and fifteen years of records made by people who refused to get slick.
22 entries
Flipper to Couch Slut, in order, with the labels that paid for it: Touch and Go, Amphetamine Reptile, Skin Graft, The Flenser.
25 entries
Judee Sill to Ethel Cain: the ones who left, the ones who stayed and were frightened, and one who walked back in.
19 entries
Contract fillers, stopgaps, tour merch. The short format kept producing the sharpest records anyway.
21 entries
The Muza series, its outliers, and the Wrocław crews who went back and sampled the whole thing.
20 entries
Close to fifty LPs, most of them two tracks long, half of them named after whoever had just raided his house. Here is the road in.
19 entries
Soft Machine to Caravan to Gong to Hatfield and the North, in the order it actually happened.
18 entries
No song compilations, no needle-drop mixtapes. Composed scores that survive being taken away from the picture.
23 entries
Two decades of 140bpm out of east London, in order, including the ones the revival forgot.
22 entries
Track one is a contract. These are the ones that signed it in front of you.
21 entries
Tape collage in a Hackney warehouse, body music built for Belgian dancefloors, Birmingham metal at half speed, and whatever Kristin Hayter was doing in 2019.
22 entries
Bauhaus to Dry Cleaning, run through Ivo Watts-Russell's ear and Vaughan Oliver's eye.
23 entries
From a self-released LP nobody bought in 1959 to a revival with more good players than it can keep track of.
22 entries
Most doubles are a failure of editing. These seventeen use the extra side for something a single LP cannot hold.
17 entries
Nineteen records, 1989 to 2022, by bands who mostly hated the word.
22 entries
Forty years on, from Rough Trade's injunction to Def Jam's first platinum plaques.
26 entries
Waylon won creative control out of RCA in 1972 and the shape of the music changed. Fifty years later Charley Crockett is still working the same seam.
24 entries
Cybotron to Kyle Hall, in order of release. The album canon of a city that mostly did its thinking on 12-inches.
18 entries
Skramz, not Warped Tour. Twenty-two records that hold the line from San Diego in 1994 to Brighton this March.
22 entries
Michael Gira has spent forty years making music that punishes casual listening. Chronological order is the worst way in.
17 entries
Sunshower to Tokyo Sniper, in order of release, with the session players and producers who actually built the thing.
21 entries
Nineteen records from the year Last.fm started keeping score and a band sold 125,000 albums out of an apartment.
19 entries
First albums that needed no apprenticeship, ranked, with an honest answer to the question that follows every one of them: did they ever beat it?
24 entries
Post-punk was never one sound. It was a different argument in every town, and this is the map.
24 entries
Beatles melody at Who volume, three minutes flat, almost never a hit. The canon of the genre that kept losing.
19 entries
Records made about one specific person walking out, not about sadness in general. Sinatra to Robyn, in the order they happened.
21 entries
From the Berlin School to the drone: the ambient canon, in chronological order, with no wallpaper allowed.
19 entries
The crescendo, the drone, the slow build — a guitar band's tools turned against the verse and chorus.
18 entries
From My Bloody Valentine's Loveless to the American revival — the foundational shoegaze canon, ranked.
16 entries
Twenty-one records from the last moment major labels and basement labels were both paying for the deep end. Ranked.
21 entries
From Bitches Brew to Bright Size Life: fifteen records from the years jazz plugged in.
15 entries
Seventeen records, 1959 to 1977, for anyone whose bossa shelf is one Stan Getz album deep.
17 entries
Thirty years of a genre almost nobody who made it wanted to be called that.
19 entries
The mid-2000s underground where American folk turned psychedelic and homemade again.
15 entries
The after-hours canon — downtempo, ambient and dub-soaked records for the long descent from a big night.
18 entries
The orchestral wing of pop, from the baroque-pop pioneers of 1967 to the indie composers who picked the string section back up.
18 entries
King Tubby's four-track shack in Waterhouse, Lee Perry's Black Ark, Adrian Sherwood's London, and a broken filter in Berlin.
18 entries
Nineteen records from Manfred Eicher's label, 1970 to 2015, and how a Munich jazz imprint ended up owning a whole way of hearing a room.
19 entries
Turkey's fuzz decade, the coup that ended it, and the people still working the seam fifty years on.
13 entries
Seventeen songs, in rough chronological order, that fake the finish before yanking the record back to life.
17 entries
Chiming guitars, buried vocals and cheap tape machines. How a cold university town in New Zealand wrote one of the blueprints for indie rock.
14 entries
From Black Sabbath's detuned tritone to funeral doom's hour-long dirges: the records that proved slowness could be the heaviest thing in metal.
16 entries
Roxy Music to Destroyer: the jazz chords, wine-bar sheen and quiet heartbreak of pop's most tailored wing.
17 entries
From DJ Deeon's ghetto house 45s to Jlin scoring for the Kronos Quartet: how a Chicago dance-battle music built a canon of its own.
15 entries
Slow, smoky and funereal: the film-noir end of jazz, in 15 albums.
15 entries