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Guides/A Riffiter guide

Where to start with breakcore

Chopped Amens at the speed of panic: an on-ramp to electronic music's most chaotic genre.

Breakcore is the electronic genre built on violently chopped breakbeats — above all the Amen break — fused with jungle, hardcore and anything else within reach. Born in the late 1990s and revived by an online generation in the 2020s, it's best entered through eight records, starting with Venetian Snares' Rossz Csillag Alatt Született (2005).

Breakcore is what happens when jungle's breakbeats are pushed past dancing into pure adrenaline — drum edits so fast and dense they become texture. For years it lived in squat raves and CD-Rs; then a generation raised on anime AMVs and SoundCloud found it, and the genre had a second life nobody planned.

It's less impenetrable than it sounds: underneath the noise, the best breakcore is emotional, funny, even gorgeous. Eight ways in, from the canon to the revival.

  1. 1
    Rossz csillag alatt született artwork

    Rossz csillag alatt született

    Venetian Snares

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    The genre's consensus masterpiece: Aaron Funk splicing Hungarian strings, Billie Holiday and pigeon imagery into classical breakcore. Rossz Csillag Alatt Született (2005) is the album to play anyone who thinks the genre is just noise — it's a requiem at 200 BPM.

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    Feed Me Weird Things artwork

    Feed Me Weird Things

    Squarepusher

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    The precursor: Tom Jenkinson's 1996 debut ran jungle breaks through jazz-fusion bass virtuosity on Aphex Twin's Rephlex label. Not breakcore by name, but the technical ceiling and the sense of play both start here.

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    Draining Love Story artwork

    Draining Love Story

    Sewerslvt

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    The revival's defining record: Draining Love Story (2020) wrapped breakcore in dreamy ambience, anime melancholy and unbearable feelings, and a generation found the genre through it on YouTube. The single biggest reason breakcore trended again.

  4. 4
    WLFGRL artwork

    WLFGRL

    Machine Girl

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    Breakcore's punk wing: WLFGRL (2014) welds the breaks to digital hardcore, footwork and screaming. Machine Girl became the live face of the music — mosh pits for a genre that wasn't supposed to have them.

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    Savage Sinusoid artwork

    Savage Sinusoid

    Igorrr

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    The maximalist outpost: Gautier Serre's Savage Sinusoid (2017) splices breakcore with baroque opera, death metal and accordion, every sound recorded live. Absurd on paper, seamless in headphones — the genre's case that nothing is off-limits.

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    goreshit artwork

    goreshit

    Electronic

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    The bridge between breakcore and lolicore's chaos: goreshit's catalogue runs from gabber-speed edits to heartbroken melodic suites (semantic compositions on death and its meaning, 2011, is the lifer pick). The discography rabbit hole of the scene.

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    Bong-Ra artwork

    Bong-Ra

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    The raggacore heavyweight: Dutch producer Jason Köhnen spent the 2000s welding jungle to metal and dancehall at maximum distortion. The European squat-rave lineage in one discography — start with the Full Metal Racket era and work outward.

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    Full English Breakfest artwork

    Full English Breakfest

    Shitmat

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    The British sense of humour wing: Full English Breakfest (2004, Planet Mu) mangles happy hardcore, gabber and the Amen into something simultaneously stupid and virtuosic. Proof the genre's chaos was always at least half a grin.

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