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Guides/A Riffiter guide

Hyperpop's second wave: digicore and what came after

After 100 gecs broke the dam: the SoundCloud kids who rebuilt pop in their bedrooms.

Hyperpop's first wave — SOPHIE, PC Music, 100 gecs — peaked around 2019–2020. What followed was richer: digicore, the SoundCloud- and Discord-born scene of teenage producers, and its offshoots. This guide maps the second wave through nine key artists and records, from Jane Remover's Frailty (2021) onward.

When the "hyperpop" playlist era peaked, the interesting music was already happening somewhere else: on SoundCloud and in Discord servers, where teenagers were splicing emo, rage beats and shoegaze into songs recorded on school laptops. The scene called itself digicore, then immediately started arguing about the name — always a sign something real is happening.

This is the second wave and its aftershocks: messier, sadder and more inventive than the genre that spawned it.

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    Oil of Every Pearl's Un‐Insides artwork

    Oil of Every Pearl's Un‐Insides

    SOPHIE

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    The ancestor: SOPHIE's only studio album (2018) stretched pop between latex textures and orchestral ambient, and made the whole movement thinkable. Every artist below is working in the space she opened.

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    1000 gecs artwork

    1000 gecs

    100 Gecs

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    The dam-break: 23 minutes of ska drops, autotuned screams and total shamelessness that made 1000 gecs (2019) the most argued-about pop record of its year. The first wave's peak — and the joke that turned out to be a blueprint.

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    how i'm feeling now artwork

    how i'm feeling now

    Charli XCX

    4.0 · 1

    The mainstream bridge: recorded in five weeks of 2020 lockdown with fan input over Zoom, how i'm feeling now brought the scene's collaborative, extremely-online process into pop's front room — and legitimized everything around it.

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    Frailty artwork

    Frailty

    Jane Remover

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    The second wave's masterpiece: Frailty (2021) fused digicore's glitch with shoegaze scale and adolescent ache. Originally released under the name dltzk, it's the record that made critics take the Discord generation seriously.

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    fishmonger artwork

    fishmonger

    underscores

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    April Harper Grey's fishmonger (2021) runs pop-punk songwriting through hyperpop production into something stadium-sized and homemade at once. The scene's best pure songwriter — and its most likely crossover.

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    ericdoa artwork

    ericdoa

    Hyperpop

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    Connecticut's ericdoa was digicore's first face — melodic, rapid-fire songs that carried the scene from SoundCloud to major-label deals and festival stages. Start with COA (2020) and things with wings (2021).

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    glaive artwork

    glaive

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    Ash Gutierrez recorded his early EPs as a North Carolina teenager mid-pandemic; cypress grove (2020) and all dogs go to heaven (2021) made him the scene's prodigy. His later albums steer toward live-band pop — the second wave growing up in public.

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    Dariacore — Leroy (2021)

    Jane Remover's alias Leroy invented a whole microgenre with one album: dariacore — plunderphonics mashing chart pop vocals into jersey-club chaos, named for a Daria screenshot. Three volumes later it has imitators worldwide and a strong claim as the most influential idea of the wave.

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    2hollis artwork

    2hollis

    Electropop

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    The newest branch: 2hollis runs rage beats and EBM pressure through pop instincts, and his 2024–25 ascent — opening arena tours while barely out of his teens — marks where the post-hyperpop lineage meets the mainstream next.

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