feralx

matt wiseman sits behind the beat the whole way and still rides the crash like it did something to him, and joseph ghast keeps the bass low enough that you notice every time it leaves. that's the record for me before tom templar even starts singing. john wright's organ does the deep purple thing and it's cleaner than the seventies records it wants to be, fine, nobody was going to track this on a four-track in a barn. graveyard sun going quiet and acoustic and then the title track kicking the door back in is the best stretch on it