Neon Bible

Following the release of Funeral (2004), which had been recorded in an attic studio known as Hotel2Tango, Arcade Fire decided a permanent recording location was necessary. Following their tour in support of Funeral, the band bought the Petite Église in Farnham, Quebec. Being used as a café at the time of purchase, the Petite Église had once been a church and a Masonic Temple. Once renovation of the church was complete, the band spent the latter half of 2006 recording a majority of the album there. Michael Pärt produced additional recordings in Budapest, recording the Budapest Film Orchestra and a military men's choir. Other sessions included one in New York, where the band recorded along the Hudson River to be near water. Having produced most of the album themselves, the band decided to bring in someone else for the mixing. Tracks were sent to several well-known mixers/producers to experiment with and after deciding they liked Nick Launay's ideas best, the band invited him to their studio to work on the songs further. For a month Launay worked with the album's engineer and co-producer Marcus Strauss on the mixing of each song, with the band regularly driving up from Montreal to assess their progress. In an interview with HitQuarters, Launay described the mixing process as a "playful thing". Composition Beginning work on Neon Bible immediately following a North American tour in support of the band's first album, Funeral, songwriter Win Butler, born in the United States but having lived in Canada for several years, said that he felt he was observing his homeland from an outsider's point of view. The album is rooted in Americana themes, with Bob Dylan, Bruce Springsteen and Elvis Presley being cited as influences. Arcade Fire began recording with what would become "Black Mirror" and a reworking of the Arcade Fire EP song "No Cars Go" as their starting point. Once the title of the album was decided upon, the band was further inspired after they, according to Will Butler, "watched a lot of TV preachers, get-rich-quick schemes on YouTube." The band was also attracted to using the ocean and television as central images for the album, with Win Butler saying the ocean imagery symbolizes a lack of control; of television, Butler stated that: People don't necessarily know that they're taking on a worldview, or absorbing ideas . It doesn't necessarily seem like , but it definitely does. I find it very easy to get sucked in. It starts to affect the way you see the world. — Win Butler, Interview, Pitchfork These ideas are reflected in the arrangement and composition of the album, which lead to a sound of dread and dissonance. The band used a number of less common instruments to achieve this sound; in addition to the orchestra and choir, Neon Bible features a hurdy-gurdy, mandolin, accordion and pipe organ. Win Butler has said that in conceiving the album he hoped for a more stripped-down sound but the songs demanded further instrumentation. The song "(Antichrist Television Blues)" was originally titled "Joe Simpson (Antichrist Television Blues)" in reference to the father and manager of singers Jessica and Ashlee Simpson. Butler chose to remove Simpson's name from the title, keeping the subtitle parentheses intact. Butler would introduce "(Antichrist Television Blues)" during live performances as "a song about what happens when fathers grow up to manage their daughters." Artwork The artwork for the album is a photograph of a six-foot neon sign that the band commissioned for use while on tour. In the photograph used for the cover, the lighted Bible is caught in mid-flicker. Rolling Stone named the artwork one of the five best of the year. AOL Music cited the cover as an example of an artist "keeping artwork alive." The artwork would go on to win Tracy Maurice and François Miron the Juno Award for best CD/DVD Artwork Design of the Year. Frontman Win Butler stated in an interview that the album title is derived from him being particularly attracted to the image, not from the John Kennedy Toole novel The Neon Bible.