clarke hands most of this over to guests. hancock, angela bofill, george howard, stewart copeland on percussion, and then he plays like a session guy on his own record. immaculate playing, and the bass barely does one thing you'd call his. sounds exactly like 1986 sounded. school days it is not.
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Sounds exactly like 1986 reads like a complaint and I keep taking it as a compliment. A bass player who can disappear into his own record is doing something most of them physically cannot.
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