639
ratings logged
June 2026
Gratitude as revenge — naming the exes, thanking them, and moving on over the gentlest trap beat. The healthiest breakup song ever to top the charts.
All I Ask — co-written with Bruno Mars — is the vocal summit: one take's worth of dynamics most singers spend careers avoiding.
When We Were Young is 25's keeper — nostalgia for a moment still happening, sung like the room is already emptying.
Hello, it's me — the comeback announcement as cultural event, a cathedral of a chorus that broke streaming records in hours.
From the Dining Table ends the debut at a whisper — hotel-room loneliness sketched in two verses, the songwriter under the showman revealed.
Kiwi is the rocker — gleeful sleaze over garage stomp, the live cannon that proved the rock cosplay had actual teeth.
Sign of the Times is the solo bet paying off in real time — a six-minute glam ballad with Bowie patience, from a boy-band graduate everyone underestimated.
A Certain Romance closes the debut with the thesis: contempt dissolving into loyalty, because they're your mates. The most grown-up song ever written by a teenager.
When the Sun Goes Down zooms in on Sheffield's red-light economy — character study, riff explosion, and empathy in under four minutes.
Mardy Bum is the soft center of a hard album — domestic argument turned love song, Turner's eye for detail at its warmest.
The debut single that ignited it all — CCTV romance over riffs that sprint, with the best title-as-pickup-line in British rock.
House'llelujah marries gospel vocals to clubland four-four — Cheese's other proof that Stromae thinks in concepts, not just hooks.
A song about dancing through debt, divorce and death that conquered every European dancefloor — the saddest party anthem ever written, and the blueprint for Stromae's whole project.
Speed of Sound is Clocks' younger sibling — same rippling DNA, slightly diluted, still irresistible on radio.
Talk borrows Kraftwerk's Computer Love riff and aims it at stadium anxiety — the album's stress dressed in its catchiest clothes.
Fix You is the secular hymn — organ swell, choked-back verse, and that guitar staircase into communal catharsis. Cynics resist until the lights come up.
Love Never Felt So Good — an Off the Wall-era demo finished with taste for once; the disco strings version is the posthumous catalog's one essential.
6PM in New York is the timestamp series at its most lethal — no hook, just a will being read to the competition.
Know Yourself made a Toronto slang phrase into a global incantation — that beat drop after 'runnin' through the 6' is a generational moment.
Energy is siege-mentality Drake at his sharpest — enemies counted like blessings over Boi-1da's war drums. The tape's thesis and its peak.
Bellyache skips through a murder confession on an acoustic guitar — the dissonance between sound and subject became the whole Eilish grammar.
idontwannabeyouanymore is the EP's emotional core — self-loathing sung as a jazz ballad, the sibling production already cinematic.
Recorded at thirteen for a dance class, uploaded to SoundCloud, and the rest is history — ocean eyes is bedroom-pop's creation myth, still gorgeous.
Hometown Glory — written at sixteen, allegedly in ten minutes — already has the entire career inside it: place, longing, and that voice.
The Dylan cover she made hers — stripped to piano and intent, it became the wedding-and-funeral standard of its era.
