Peter Hammill

When Van der Graaf Generator broke up again in August 1972, Hammill resumed his solo career. Songs that were intended for Van der Graaf Generator, now ended up on his solo albums, notably "Black Room" (on Chameleon in the Shadow of the Night) and "A Louse Is Not a Home" (on The Silent Corner and the Empty Stage). This to some extent makes it difficult to separate Hammill's solo work during the 1970s from his work with the band (for the majority of both his solo songs and the band's songs he is credited as the sole songwriter, and some of his solo albums feature all the members of Van der Graaf Generator). In general, however, solo Hammill is concerned with more personal matters, while the band's songs deal with broader themes. Nadir's Big Chance (1975) was a great change from the preceding In Camera. Whilst In Camera is characterised by extremely intense and complex songs and even has some musique concrète on it, Nadir's Big Chance is notable for its anticipation of punk rock. In a 1977 radio interview, John Lydon of the Sex Pistols played two tracks from the album and expressed his admiration for Hammill in glowing terms: "Peter Hammill's great. A true original. I've just liked him for years. If you listen to him, his solo albums, I'm damn sure Bowie copied a lot out of that geezer. The credit he deserves, just has not been given to him. I love all his stuff". Over (1977) contains very personal songs about the break-up of a long-term relationship. Hammill's first solo-album after the 1978 break-up of Van der Graaf was The Future Now. With the next albums, pH7 and A Black Box, the sound became more compact, more new wave. On those albums, Hammill played the drums himself. What followed was the "K group". In later years Hammill would sometimes refer to the band as a "beat group". The K group consisted of Hammill himself on guitars and piano, with John Ellis on lead guitar, Nic Potter on bass, and Guy Evans on drums and percussion. This group recorded the albums Enter K and Patience. In 1991, Hammill released the long-awaited opera The Fall of the House of Usher. He had written the music and Van der Graaf Generator co-founder Judge Smith the libretto, and the two of them had been working on it since 1973. In 1999 he released a reworked version, The Fall Of The House Of Usher (Deconstructed & Rebuilt). Hammill survived a heart attack in December 2003, less than 48 hours after having finished the recording of Incoherence. He was awarded the Italian 'Tenco Prize' for songwriting at the end of 2004. In 2005, Hammill announced the reformation of Van der Graaf Generator. In 2004 they had recorded a new album, Present, which was released in April 2005, and from May until November 2005 played a series of well received concerts. Between 2005 and 2007 Hammill oversaw the remastering of almost all of his pre-Fie! releases, and also carried out similar work on his more recent catalogue. The last of the Charisma remasters was released in September 2007. Hammill's solo career did not end because of the Van der Graaf Generator reunion. He released an album Singularity in December 2006. It was the first solo album he completed after his heart attack, and for a large part it deals with matters of life and (sudden) death. In 2007 several gigs by Van der Graaf Generator as a trio (minus David Jackson) took place in Britain and Europe; their new album Trisector was released in March 2008. In the summer and fall of 2008 Hammill did a tour of solo dates in the U.S. and Canada. In the summer of 2009 Van der Graaf Generator toured the U.S. and Canada. Thin Air was released on 8 June 2009. This was followed in October 2011 by a live double CD Pno, Gtr, Vox, recorded at performances in Japan and the UK in 2010. An extended 7-CD box set, Pno, Gtr, Vox Box was released in a limited edition of 2000 in February 2012. Consequences, a new solo studio album was released in May 2012. Again he plays all the instruments. The lyrics deal with conflicted characters in various scenarios. Live performances: Live concerts by Peter Hammill are characterised by a degree of unpredictability, in terms of the songs played, the arrangements and the players involved. Hammill generally does not undertake live-tours to promote albums. Whenever he plays with a certain predominant line-up, almost always there will also be concerts interspersed with different permutations of musicians, so the word 'tour' is not always very applicable. From September 1981 until September 1985 Hammill played with the K Group, playing raw, energetic, new-wave rock. A live recording of a number of these concerts was released as The Margin. In March and April 1983, Hammill with John Ellis was the support act for Marillion on their UK tour in support of their debut album Script for a Jester's Tear. From February until October 1990 he played with Nic Potter on bass and Stuart Gordon on violin. A live recording of these shows was released as Room Temperature. From April 1993 until August 1996 he played with Nic Potter on bass, Stuart Gordon on violin and Manny Elias on drums. A live recording of these shows was released as There Goes The Daylight. From October 1994 until August 1996 Hammill played with David Jackson on flutes and saxophones, Stuart Gordon on violin and Manny Elias on drums (this line-up is sometimes informally referred to as the Peter Hammill Quartet). From January 1998 until November 2006 Hammill played with just Stuart Gordon on violin. Of these shows the live recording Veracious was released. From 1969 on, Hammill has also performed solo concerts, with just guitar and keyboards.