
Artist
Kelela
Kelela is a grime artist formed in 1983. 29 releases are catalogued on Riffiter.
- 29
- Releases
- 2013–2026
- Active years
- 1983
- Formed

Artist
Kelela is a grime artist formed in 1983. 29 releases are catalogued on Riffiter.
Most popular
Take Me Apart
2017

Hallucinogen
EP · 2015

LMK
Single · 2017

idea 1
Single · 2026

point blank
Single · 2026

linknb
Single · 2026

Better
Single · 2025

VII. Within Without (Liberation)
Single · 2024

Holier (JD. REID Remix feat. Shygirl)
Single · 2024

Contact (Karen Nyame KG Remix)
Single · 2023

Happy Ending (A.G Remix)
Single · 2023

Closure (Flexulant x BAMBII Remix feat. Rahrah Gabor + brazy)
Single · 2023

Enough For Love
Single · 2023

Contact
Single · 2023

On The Run
Single · 2022

Happy Ending
Single · 2022

Washed Away
Single · 2022

LMK_WHAT’S REALLY GOOD REMIX_ FEAT_PRINCESS NOKIA_JUNGLEPUSSY_CUPCAKKE_MS. BOOGIE_100 BPM
Single · 2018

Blue Light
Single · 2017

Frontline
Single · 2017

Waitin
Single · 2017

Rewind (prod. Nugget, Kingdom)
Single · 2015

Hallucinogen Remixes
EP · 2015
Releases by other artists featuring Kelela.
A second-generation Ethiopian American, Kelela was born in Washington, D.C., grew up in Gaithersburg, Maryland and graduated from Magruder High School in 2001. She has been based in Los Angeles since 2010. After transferring from Montgomery College to American University, Kelela began singing jazz standards at cafés. In 2008, she joined an indie band called Dizzy Spells and tried to sing progressive metal after meeting Tosin Abasi, whom she later dated. Having moved to Los Angeles, Kelela connected with Teengirl Fantasy and contributed to the group's 2013 album Tracer on the song "EFX", which led her to meet Prince William from the label Fade to Mind. He introduced her to the sound of the record label and its sister imprint from London, Night Slugs, which Spin has described as "one of the most distinctive sounds in U.K. dance music, a mutable hybrid of grime, house, electro, R&B, techno, hip hop, and dubstep." In May 2013, she appeared on Kingdom's "Bank Head", and five months later released her mixtape Cut 4 Me for free. Harriet Gisbone of The Guardian described the album as "an experiment for the production team, the first time the production crew had used vocals on their club t…