Artist
Cass Elliot
Cass Elliot is a folk artist from Baltimore, USA formed in 1959. 16 releases are catalogued on Riffiter.
Folk · Baltimore, USA · Best folk albums
- 16
- Releases
- 1968–2014
- Active years
- 1959
- Formed
Artist
Cass Elliot is a folk artist from Baltimore, USA formed in 1959. 16 releases are catalogued on Riffiter.
Folk · Baltimore, USA · Best folk albums
Most popular
The Complete Cass Elliot Solo Collection 1968–71
2005
Don't Call Me Mama Anymore & Rarities: Her Final Recordings (Live)
2014
Dave Mason & Cass Elliot
1971
The Road Is No Place for a Lady
1972
Cass Elliot (With Bonus Tracks)
2011
Cass Elliot / The Road Is No Place For A Lady / Don't Call Me Mama Anymore
2010
Cass Elliot / The Road Is No Place for a Lady
2009
Dream a Little Dream of Me: The Music of Mama Cass Elliot
2005
Dedicated to the One I Love
2002
Dream a Little Dream: The Cass Elliot Collection
1997
Mama's Big Ones
1987
Mama's Big Ones: The Best of Mama Cass
1973
Don't Call Me Mama Anymore
1973
Cass Elliot
1972
Bubble Gum, Lemonade & .... Something for Mama
1969
Dream a Little Dream
1968
"Mama" Cass Elliot, Baroness von Wiedenman (September 19, 1941 - July 29, 1974), born Ellen Naomi Cohen, was a noted American singer who performed with The Mamas & The Papas. She then went onto a successful solo career, releasing nine albums. Born in Baltimore, Maryland, she spent most of her childhood both in Baltimore and Alexandria, Virginia, a suburb of Washington, D.C. Elliot, known for her sense of humor and optimism, was considered by some to be the most charismatic member of The Mamas & The Papas; her warm, distinctive voice was a large factor in their success. She is best remembered for her vocals on the group's Billboard hits California Dreamin', Monday Monday, and Words of Love, as well as her first hit as an independent act, Dream a Little Dream of Me. Cass was in love with fellow Mamas & Papas band member Denny Doherty. His affair with another married band member, Michelle Phillips, was one of the causes of the break-up of the band. Elliot resented Michelle's perceived betrayal of their friendship and helped to support the band's decision to fire Michelle in June 1966, when it became clear that John Phillips could no longer work with her. Personal problems within the…